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Best Video Formats for Every Use Case

"What’s the best format to export?" is the question editors hear daily. The answer depends on where the video goes next. Use this guide as your decision tree.

5
Formats that actually matter
100%
Devices that play MP4
50%
Savings when switching to HEVC

Containers vs Codecs (30-Second Refresher)

  • Container = File extension (MP4, MOV, MKV). Think of it as the suitcase.
  • Video codec = Compression algorithm (H.264, HEVC, VP9). Think of it as how the clothes are rolled.
  • Audio codec = AAC, MP3, Opus.

The best format is a combination, not a single checkbox.

The Big Five Formats

FormatContainerVideo CodecAudio CodecWhen to Use
MP4 / H.264MP4H.264AACUniversal sharing, maximum compatibility
MP4 / HEVCMP4HEVCAACStorage savings, modern devices
MOV / ProResMOVProResPCMProfessional editing, color grading
WebM / VP9WebMVP9OpusWeb embedding, YouTube
MKV / HEVCMKVHEVCAAC/FLACPersonal archives, Plex

Decision Matrix

Destination

  • • Sharing with friends / family
  • • Uploading to social media
  • • Playing on TV / Roku / Apple TV
  • • Embedding on a website
  • • Professional color grading
  • • Archiving everything forever

Recommended Format

  • • MP4 + H.264 (plays anywhere)
  • • MP4 + HEVC (upload faster, site recompresses anyway)
  • • MP4 + H.264 (devices expect it)
  • • WebM + VP9 (Chrome/Firefox) plus MP4 fallback
  • • MOV + ProRes 422 HQ (lossless color)
  • • MKV + HEVC (store any combination of tracks)

Format Profiles Explained

MP4 + H.264 (Default)

  • Works on every device since 2007.
  • Great for messaging, emailing, AirDrop to unknown devices.
  • Larger than HEVC but zero compatibility issues.

MP4 + HEVC (Modern Default)

  • 50–70% smaller than H.264.
  • Plays on iPhone/iPad, modern Android, Mac, Windows 10+.
  • Ideal for personal libraries, AirPlay, Apple TV.

MOV + ProRes

  • 10-bit, virtually lossless.
  • Standard for Final Cut Pro and DaVinci Resolve workflows.
  • Huge files (1 GB per minute), but designed for editing, not delivery.

WebM + VP9

  • Browser-friendly, efficient.
  • Won’t play natively on iPhone Photos app or older TVs.
  • Use only when targeting web (YouTube, Vimeo, etc.).

MKV + HEVC

  • Feature-rich container (multiple audio/subtitle tracks).
  • Best for storing Blu-ray rips, movie libraries.
  • Requires VLC/Plex for playback.

Format Comparison

MP4 + H.264

100% compatible
  • Larger files
  • Works on everything
  • Best for sharing

MP4 + HEVC

50% smaller
  • Modern hardware support
  • Perfect for storage
  • Convert before sharing with older devices

MOV + ProRes

Editing master
  • Huge files
  • Maximum color data
  • For pro workflows

WebM + VP9

Web first
  • Efficient streaming
  • Requires browser
  • Not for Photos app

Audio Considerations

  • AAC: Works everywhere, perfect default.
  • Opus: Slightly better than AAC but not widely supported outside browsers.
  • PCM/AIFF: Uncompressed; use only alongside ProRes.

Export Presets You Can Trust

SoftwarePresetChanges to Make
Final Cut ProApple Devices 4KChange codec to HEVC, set bitrate 15 Mbps
Premiere ProMatch Source - High BitrateSwitch to HEVC, VBR 2-pass
DaVinci ResolveYouTube 1080pKeep container MP4, change codec to H.265
HandBrakeFast 1080p30Switch container to MP4 (not MKV), set RF to 20

Pro Tip

Always export a "distribution" copy (MP4 + HEVC) and an "archive" copy (MOV + ProRes or MP4 + high bitrate). Storage is cheap; re-shooting is not.

Future Formats (AV1, VVC)

  • AV1: 30% better than HEVC, but only latest hardware decodes it. Good for YouTube; not for everyday sharing yet.
  • VVC / H.266: Successor to HEVC. Coming to consumer gear around 2026–2027.

Until both are ubiquitous, stick to HEVC.

Final Checklist

Format Rules that Never Fail

  • If unsure, export MP4 + H.264
  • For storage savings, keep MP4 but switch to HEVC
  • If editing again later, keep a ProRes or high-bitrate master
  • Never send MOV files to Android users
  • Use WebM only when embedding on a website
  • Archive movie collections in MKV so you retain subtitles and extra audio tracks

Choosing the best video format is about matching the destination. Once you know where the video will live, pick the combination that keeps quality high while avoiding playback failures.

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